My artwork

I create much of my computational artwork through Fast Familiar, the arts charity I co-run with my friends and colleagues, which has produced over 20 artworks.

Below, you’ll find a curated selection of my favorite solo artworks created before 2020.

Mystic Joe (2019)

Mystic Joe is a project commissioned by Crawley Borough Council to engage residents in providing feedback on arts and culture development in their area.

Touring over 30 locations, it uses interactive voiceovers, fortunes, and event reminders to gather insights from over 3,000 residents in a fun and creative way over eight months.

jo-jo (2018)

Jo-jo is the final part of a trilogy exploring the spread of misinformation online, focusing on its impact on impressionable individuals, especially children.

The project highlights how the lack of critical judgment in processing online information can lead to the adoption of harmful beliefs, urging audiences to reflect on their role in curbing trolling, fake news, and the manipulation of vulnerable minds.

A.M.I (2017)

A.M.I is a deeply personal piece exploring self-representation and the ways we misrepresent ourselves on social media, creating curated personas that hide imperfections and emotions.

Serving as a continuation of The Watsons, it embodies overwhelming emotions and a clinical detachment from reality, reflecting a difficult time in the artist’s life and inviting users to experience these feelings as a form of self-therapy and emotional exploration.

The Watsons (2016)

“Meet the Watsons” is a set of four projection-mapped sculptures that analyze a Twitter account live, prompting audiences to reflect on the content they share online, who can access it, and the implications of their digital footprint.

Designed to be accessible to diverse demographics, the Watsons use relatable, human-like personas and voices to create a welcoming yet thought-provoking experience, contrasting their approachable facade with ominous shadows symbolizing the darker realities of online data exposure.